Aulos Garklein, Plastic Baroque Singlehole, Item: 501S-AUL Natural, 442 Hz This Garklein instrument with the article number: 501S-AUL constructed by Aulos is a companion, the in playing repeatedly can make joy. This peculiarity is due to the clever composition of the marvelous form in interplay with the sound of the material Plastic. The material makes this instrument a pleasant singularity, by the own materialtypical sound. The special qualities can best be described, whereas it is in the nature of things that sounds can always be described very inadequately with words. Therefore the material typical sound of recorders is perceived and described by each person in details slightly uniquely. We use these words: ABS-plastic (Acrylnitril-butadien-styrol): Clear sound, rich in overtones. Sometimes a bit crisper with smaller instruments The bore The course of the inner bore of the instrument is light cylindroconical. This kind of bore course gives the recorder such a tipically sound. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower inner bore. For what styles can the recorder best be used for? Plastic is wonderful for instruments used for: Focus on education and school music. To whom is this recorder addressed? From this it results that instruments made of Plastic are especially for ambitious amateurs and advanced players recommendable. A further rule is that a quality instrument makes the interaction naturally enriching apparently low-cost offer. The windway of the recorder The windway is the area in the head of the recorder where the breath of the musician is formed into a thin sheet of air. This air leaf is the nucleus of tone production. At the labium, the air flow is very quickly alternately directed inwards and outwards. This swinging stream stimulates the air in the bore. This is the origin of the recorder sound. This is the reason why the labium must not be damaged in any case. The same rule applies to the windway. Otherwise suffer the artistic applicability of the recorder. The windway of the instrument 501S-AUL of Aulos has this windway shape: Straight cylindrical. Conical windways accelerate the air leaf more than cylindrical shaped windways. Never underestimate windway and labium! Their meaning for the voicing is exceedingly complex in their geometric shape. Damages here often lead to a total loss! Fingerings The model Aulos 501S-AUL is manufactured in the following version: Baroque Singlehole . Construction of the body The number of individual parts a musical instrument influences basically the way with which the flute in use on the one hand is simple to handle in terms of easy gripping and on the other hand for the convenient transport. A point that becomes especially important when larger or multiple instruments to. {Experienced ensemble players can tell you a thing or two about this. Or ask veteran ensemble leaders. Leaders of recorder orchestras know how useful good and compact recorder cases are. Packaging and accessories The instrument is delivered as standard with: Bag The matching accessories included: Recommendations before getting a new recorder Get expert advice! The search for your instrument should in no case be influenced by well-meaning advice. Get your own realizations after trying a recorder. Don't let "expert"-opinions. Do not let others stop you from testing a unkown recorder model. Your musical perception is as individual as you are. Therefore, only you can decide which instrument will inspire. Our recommendation is therefore: Play new concepts! After that you will be delighted and can make a confident decision. Information about instruments with keys Not always can the tone holes be drilled in places in the of that are easy and convenient to grasp with the fingers. Especially with deep instruments sit for acoustic reasons tone holes ergonomically not to reach. On these instruments, by the instrument maker keys are added, which make gripping easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good play even by players with smaller hands. The instrument 501S-AUL has the following flaps:

 Küng Garklein, Maple Baroque Singlehole, Item: 1102-KUE Natural, 442 Hz The with the article number: 1102-KUE from Küng is a companion, the in daily use unfailingly can provide fun. This circumstance is due to the special combination of the outstanding instrument model in fusion with the sound of the material Maple. The material produces in this instrument a unique singularity, by the own extraordinary sound. The properties can best be described: very inadequately with words. Therefore the material typical sound of recorders is perceived and described by each person inthe details varying. We say: Maple: Warm and clear, slightly thinner than pearwood The bore The geometry of the inner bore of the recorder is light cylindroconical. This kind of bore course grants the recorder such a tipically tone. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower scale. For what styles can the recorder be used for? Maple is wonderful for recorders used for: focus on choral playing, recorder ensembles and orchestras, other styles are possible. To whom is this instrument addressed? For the above facts it follows that instruments made of Maple are especially for ambitious amateurs and advanced players recommendable. A second to be heeded rule is that a more instrument makes the interaction usually uncomplicated apparently low-cost offer. The windway of a recorder The windway is the area in the headpiece of the recorder where the breath of the musician is formed into a thin sheet of air. This air leaf is of one of the most important elements of the sound of the recorder. At the labium, the air stream is very quickly alternately directed inwards and outwards. This swinging flow stimulates the air in the body of the instrument. This is the origin of the recorder sound. This is the reason why the labium must not be damaged in any case. The same rule applies to the windway. Otherwise suffer the sound and response of the instrument. The windway of the instrument 1102-KUE of Küng has this windway shape: Straight cylindrical. Conical shaped windways accelerate breathing air more than cylindrical windways. Never underestimate windway and labium! Their meaning for the voicing is uncommon complex in their geometric shape. Damages here often lead to a total loss! Fingerings The recorder Küng 1102-KUE is offered in the following version: Baroque Singlehole . Construction of the body The number of parts a flute influences strongly the way the woodwind instrument in daily use on the one hand is simple to handle in terms of easy gripping and on the other hand for the safe transport. A point that becomes especially important when larger or multiple instruments have. {Experienced ensemble players can tell you a thing or two about this. Or ask large playing circles. Leaders of recorder orchestras know how useful good and compact recorder bags are. Packaging and accessories The recorder is delivered as standard with: Bag The following accessories included: Advice before finding another instrument Ask acquaintances! The search for your recorder should in no case be influenced by the opinions of "self-proclaimed experts". Get your own realizations after testing a recorder. Don't let "well-meaning" advice. Do not let others stop you from playing of an yet unknown instrument. Your musical taste is as unique as you are. Therefore, only you can decide which instrument will personally to "make music endlessly". Our recommendation is therefore: Test different brands! After that you will be surprised and can make a confident decision. Information about instruments with keys Not always can the tone holes be placed in the places in the instrument that are easy to reach with the fingers. Especially with larger recorders sit for acoustic necessities certain tone holes adequate to reach. On these instruments, by the instrument maker keys are added, which make gripping clearly easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good grip even by players with smaller hands. The instrument 1102-KUE has the following flaps:

 Küng Garklein, Pearwood Baroque Singlehole, Item: 1101-KUE Natural, 442 Hz The with the article number: 1101-KUE from Küng is a musical tool, that in making music unfailingly will give fun. This peculiarity is due to the masterful marriage of the genius form in interplay with the qualities of the material Pearwood. The material produces in this instrument a pleasant singularity, by the own special sound. The characteristics can best be described, whereas it is in the nature of things that sounds can always be described inadequately with words. Therefore the sound of recorders is perceived and described by each person inthe details uniquely. We say: Pearwood: Soft, choral sound. Suitable for playing in a group The bore The geometry of the inner bore of the instrument is light cylindroconical. This kind of bore course grants the recorder such a characteristic sound. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower scale. For what styles can the recorder best be used for? Pearwood is greatly suitable for recorders used for: focus on choral playing, recorder ensembles and orchestras, other styles are possible. To whom is this recorder addressed? From this it results that recorders made of Pearwood are especially for ambitious amateurs and advanced players suitable. A second important principle is that a quality instrument makes the interaction usually easier apparently low-cost offer. The windway of the recorder The windway is the area in the headpiece of the recorder where the breath is formed into a sheet of air. This air leaf is the determining element of the sound of the recorder. In interaction with the labium, the air flow is very quickly alternately directed inwards and outwards. This swinging stream stimulates the air in the bore. This is the origin of the recorder tone. This is the reason why the labium must not be damaged in any case. The same rule applies to the windway. Otherwise suffer the musical shaping ability of the instrument. The windway of the recorder 1101-KUE of Küng has this windway shape: Straight cylindrical. Conical windways accelerate breathing air more than cylindrical shaped windways. Never violate windway and labium! Their meaning for the instrument is very complex in their geometric shape. Even minor damages here often lead to a total loss! Fingerings The instrument Küng 1101-KUE is delivered in the version: Baroque Singlehole . Construction of the body The constructional design in terms of multipartness a recorder influences strongly the way it in daily use on the one hand is simple to handle in terms of easy gripping and on the other hand for the compact transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes multiple) instruments. {Experienced ensemble players can tell you a thing or two about this. Or ask veteran ensemble leaders. Leaders of large ensembles know how useful good and compact recorder packaging is. Packaging and accessories The recorder is supplied as standard with: Bag The useful accessories included: Recommendations before finding another instrument Get expert advice! The search for your new instrument should in no case be influenced by opinions prevailing in your environment. Get your own realizations after playing a recorder. Don't let "well-meaning" advice. Do not let others stop you from trying a unkown recorder model. Your taste is as unique as you are. Therefore, only you can decide which instrument will personally touch. Our recommendation is therefore: Try also unknown instruments! After that you will be delighted and can make a safe decision. Information about instruments with keys Not always can the tone holes be drilled in places in the of that are comfortable to grasp with the fingers. Especially with larger instruments sit for acoustic reasons some tone holes adequate to reach. On such instruments, by the instrument maker keys are added, which make gripping easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good play even by players with smaller hands. The instrument 1101-KUE has the following flaps:

 Küng Garklein, Rosewood Baroque Singlehole, Item: 1106-KUE Natural, 442 Hz This Garklein recorder with the article number: 1106-KUE built by Küng is a recorder, the in daily use constantly will make joy. This property is due to the considerate merging of the unique concept in combination with the advantages of the material Rosewood. This material makes the instrument a conspicuous uniqueness, by its unique characteristics. The special qualities can be descibed approximately so, whereas it is in the nature of things that sounds can always be described very inadequately with words. Therefore the sound of recorders is perceived and described by each person in details a bit differently. We say: Rosewood: Very noble, throaty sound The bore The course of the inner bore of the instrument is light cylindroconical. This kind of bore course grants the instrument this tipically sound. In principle, recorders with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than instruments with narrower inner bore. For what styles can this instrument be used for? Rosewood is greatly suitable for recorders used for: focus on choral playing, recorder ensembles and orchestras, other styles are possible. To whom is this musical instrument addressed? This means that recorders made of Rosewood are especially for ambitious amateurs and advanced players suitable. A further valid law is that a higher instrument makes the learning progress usually beautiful at first glance low-cost offer. The windway of the recorder The windway is the area in the headpiece of the recorder where the blowing air of the musician is formed into a thin sheet of air. This air leaf is the determining element of the instruments tone. In interaction with the labium, the air stream is very quickly alternately directed inwards and outwards. This swinging flow stimulates the air in the bore. And this is the origin of the recorder tone. This is the reason why the labium must not be damaged in any case. The same rule applies to the windway. Otherwise suffer the variability of the available sound spectra of the recorder. The windway of the recorder 1106-KUE of Küng has this windway shape: Straight cylindrical. Conical windways accelerate breathing air more than cylindrical shaped windways. Never underestimate windway and labium! Their meaning for the recorder is complex in their geometric shaping. Even minor damages here often lead to a total loss! Fingerings The recorder Küng 1106-KUE is delivered in the version: Baroque Singlehole . Construction of the body The number of individual parts a recorder shapes strongly the way it in daily use on the one hand is simple to handle in terms of easy assembling and on the other hand for the convenient transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes multiple) instruments. {Experienced ensemble players can tell you a thing or two about this. Or ask veteran ensemble leaders. Leaders of recorder choirs know how useful good and compact recorder cases are. Packaging and accessories The instrument is delivered as standard with: Bag The following accessories included: Notes before finding another instrument Inform yourself in detail! The search for your instrument should never be influenced by the opinions of "self-proclaimed experts". Get your own realizations after playing a recorder. Don't let prevailing opinions. Do not let others stop you from playing of an yet unknown instrument. Your musical perception is as unique as you are. Therefore, only you can decide which instrument concept will personally you. Our recommendation is therefore: Test different manufacturers! After that you will be amazed and can make a safe decision. Information about instruments with keys Not always can the tone holes be placed in the places in the that are pleasant and easy to reach with the fingers. Especially with bass instruments sit for acoustic necessities certain tone holes ergonomically not to reach. On such instruments, keys are added, which make gripping expressed easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good play even by players with smaller hands. The instrument 1106-KUE has the following flaps:

 Küng Garklein, Tulipwood Baroque Singlehole, Item: 1108-KUE Natural, 442 Hz The Garklein instrument with the article number: 1108-KUE from Küng is a recorder, the in playing constantly will make joy. This circumstance is based to a large part on the special composition of the outstanding model in fusion with the advantages of the material Tulipwood. This material makes the instrument a conspicuous uniqueness, by its unique characteristics. The qualities can be descibed approximately so: very inadequately with words. Therefore the sound of recorders is perceived and described by each person inthe details slightly varying. We use these words: Tulipwood: Mellow and yet pithy sound. Especially suitable as a solo flute, but also enriches the ensemble sound. The bore The course of the inner bore of the instrument is light cylindroconical. This kind of bore course grants the recorder such a special tone. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower inner bore. For what styles can the recorder be used for? Tulipwood is wonderful for instruments used for: focus on choral playing, recorder ensembles and orchestras, other styles are possible. To whom is this musical instrument addressed? For the above facts it follows that instruments made of Tulipwood are especially for ambitious amateurs and advanced players recommendable. A second to be heeded rule is that a higher instrument makes the learning progress usually uncomplicated at first glance low-cost offer. The windway of a recorder The windway is the area in the instrument headpiece where the blowing air is formed into a thin sheet of air. This air leaf is of one of the most important elements of the recorders sound. In interaction with the labium, the air stream is very quickly alternately directed inwards and outwards. This swinging flow stimulates the air in the body of the instrument. This is the origin of the recorder tone. This is the reason why the labium must not be damaged in any case. The same applies to the windway. Otherwise suffer the sound and response of the instrument. The windway of the recorder 1108-KUE of Küng has this windway shape: Straight cylindrical. Conical windways accelerate the air leaf more than cylindrical shaped windways. Never underestimate windway and labium! Their meaning for the instrument is uncommon complex in their geometric shape. Damages here often lead to a total loss! Fingerings The model Küng 1108-KUE is offered in the following version: Baroque Singlehole . Construction The number of components a recorder influences basically the way it in use on the one hand is uncomplicated to handle in terms of easy assembling and on the other hand for the compact transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes multiple) instruments. {Experienced ensemble players can tell you a thing or two about this. Or ask leaders of recorder ensembles. Leaders of recorder orchestras know how useful good and compact recorder cases are. Packaging and accessories The recorder is offered as standard with: Bag The matching accessories included: Hints on the way to new recorders Inform yourself in detail! The search for your new instrument should never be influenced by "generally accepted" rules. Get your own realizations after playing a recorder. Don't let "generally valid" rules, such as "the brand xy doesn't work at all in an ensemble/for professionals. Do not let others stop you from testing of an yet unknown instrument. Your musical taste is as individual as you are. Therefore, only you can decide which recorder will personally inspire. Our recommendation is therefore: Play also unknown instruments! After that you will be amazed and can make a safe decision. Information about instruments with keys Not always can the tone holes be drilled in places in the the that are pleasant and easy to grasp with the fingers. Especially with larger instruments sit for acoustic necessities some tone holes ergonomically not to reach. On such instruments, by the instrument maker keys are added, which make gripping expressed easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good grip even by players with smaller hands. The instrument 1108-KUE has the following flaps:

 Mollenhauer Garklein, Plumwood Baroque Doublehole, Item: 4002-MOLL Natural, 442 Hz The Garklein instrument with the article number: 4002-MOLL crafted by Mollenhauer is a musical tool, that in playing always will make happy. This property is due to the careful combination of the groundbreaking composition in combination with the sound of the material Plumwood. The material produces in this instrument a unique singularity, by the own materialtypical sound. The characteristics can described in the following words, whereas it is in the nature of things that sounds can always be described very inadequately with words. Therefore the sound of recorders is perceived and described by each person in details somewhat varying. We use these words: Plumwood: Overtone-rich, slightly nasal sound. Fits very well with singing voices The bore The geometry of the inner bore of the recorder is light cylindroconical. This kind of bore course grants the recorder such a tipically sound. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower scale. For what styles can the recorder best be used for? Plumwood is greatly suitable for recorders used for: focus on choral playing, recorder ensembles and orchestras, other styles are possible. To whom is this recorder addressed? For the above facts it follows that instruments made of Plumwood are especially for ambitious amateurs and advanced players recommendable. A second to be heeded rule is that a higher instrument makes the learning progress in most cases beautiful than a quality low-cost bargain. The windway of a recorder The windway is the area in the recorder head where the blowing air of the musician is formed into a sheet of air. This air leaf is the basis of tone production. In interaction with the labium, the air stream is very quickly alternately directed inwards and outwards. This swinging flow stimulates the air in the bore. This is the origin of the recorder sound. This is the reason why the labium must not be damaged in any case. The same applies to the windway. Otherwise suffer the musical shaping ability of the attainable sounds of the instrument. The windway of the instrument 4002-MOLL of Mollenhauer has this windway shape: Curved, conical. Conical windways accelerate the air leaf more than cylindrical shaped windways. Never violate windway and labium! Their meaning for the function is very complex in their geometric shape. Damages here often lead to a total loss! Fingerings The instrument Mollenhauer 4002-MOLL is manufactured in the following version: Baroque Doublehole . Construction The method of construction of an instrument shapes basically the way the recorder in use on the one hand is simple to handle in terms of easy assembling and on the other hand for the safe transport. A point that becomes especially important when larger or multiple instruments be. {Experienced ensemble players can tell you a thing or two about this. Or ask members of recorder orchestras will agree. Leaders of recorder choirs know how useful good and compact recorder packaging is. Packaging and accessories The instrument is supplied as standard with: Bag The following accessories included: Wiper rod, drying cloth, pivot grease, care instructions, fingering chart Hints on the way to new recorders Ask acquaintances! The search for your instrument should in no case be influenced by "generally accepted" rules, such as "the the brand xy does not work at all in an "ensemble/for professionals". Get your own realizations after testing a recorder. Don't let "expert"-opinions. Do not let others stop you from playing a unkown brand. Your taste is as unique as you are. Therefore, only you can decide which recorder will touch. Our recommendation is therefore: Try different designs! After that you will be delighted and can make a safe decision. Information about instruments with keys Not always can tone holes be drilled in the places in the body that are easy and convenient to reach with the fingers. Especially with deep instruments sit for acoustic reasons some tone holes adequate to reach. On these instruments, keys are added, which make gripping significantly easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good play even by players with smaller hands. The instrument 4002-MOLL has the following flaps:

 Mollenhauer Garklein, Maple German Singlehole, Item: 4001-MOLL Natural, 442 Hz The instrument with the model number: 4001-MOLL constructed by Mollenhauer is a companion, the in playing new will make happy. This peculiarity is due to the considerate composition of the unique concept in interplay with the sound of the material Maple. The material makes this instrument a strikingly pleasant characteristic, by its materialtypical preferences. The special qualities can be described: very inadequately with words. Therefore the sound of recorders is perceived and described by each person in details somewhat uniquely. We say: Maple: Warm and clear, slightly thinner than pearwood The bore The geometry of the inner bore of the recorder is light cylindroconical. This kind of bore course gives the recorder such a special sound. In principle, instruments with wider bore sound warmer, fuller, more fundamental and thus more suitable for ensembles than models with narrower inner bore. For which music can the recorder be used for? Maple is greatly suitable for instruments used for: focus on choral playing, recorder ensembles and orchestras, other styles are possible. To whom is this instrument addressed? This means that instruments made of Maple are especially for ambitious amateurs and advanced players recommendable. A second important rule is that a better instrument makes the interaction naturally pleasant apparently low-cost offer. The windway of a recorder The windway is the area in the instrument headpiece where the blowing air of the musician is formed into a sheet of air. This air leaf is of one of the most important elements of the sound of the recorder. At the labium, the air flow is very quickly alternately directed inwards and outwards. This swinging stream stimulates the air in the body of the instrument. And this is the origin of the recorder tone. This is the reason why the labium must not be damaged in any case. The same applies to the windway. Otherwise suffer the range of artistic applicability of the recorder. The windway of the instrument 4001-MOLL of Mollenhauer has this windway shape: Curved, conical. Conical windways accelerate the air leaf more than cylindrical shaped windways. Never underestimate windway and labium! Their meaning for the recorder is exceedingly complex in their geometric shape. Damages here often lead to a total loss! Fingerings The model Mollenhauer 4001-MOLL is offered in the following version: German Singlehole . Construction of the body The number of individual parts a woodwind instrument influences basically the way the recorder in daily use on the one hand is simple to handle in terms of easy gripping and on the other hand for the safe transport. This is a point that should not be underestimated, especially when transporting larger (and sometimes multiple) instruments. {Experienced ensemble players can tell you a thing or two about this. Or ask members of recorder orchestras will agree. Leaders of recorder choirs know how useful good and compact recorder cases are. Packaging and accessories The model is delivered as standard with: Bag The matching accessories included: Wiper rod, dry cloth, care instructions, fingering chart Hints on the way to new recorders Inform yourself in detail! The search for your instrument should never be influenced by opinions prevailing in your environment. Get your own realizations after testing a recorder. Don't let "generally valid" rules, such as "the brand xy doesn't work at all in an ensemble/for professionals. Do not let others stop you from testing of an yet unknown instrument. Your musical taste is as individual as you are. Therefore, only you can decide which construction will touch. Our recommendation is therefore: Test also unknown materials! After that you will be amazed and can make a confident decision. Information about instruments with keys Not always can tone holes be drilled in the places in the instrument that are easy and convenient to reach with the fingers. Especially with deep instruments sit for acoustic reasons tone holes adequate to reach. On such instruments, by the instrument maker keys are added, which make gripping clearly easier, or possible in the first place. This allows it to be {pleasant|light|ergonomic|conspicuous|above average| good grip even by players with smaller hands. The instrument 4001-MOLL has the following flaps: