The recorder with the model designation: 1302-KUE built by Küng is an instrument that can always be fun to play. This characteristic is largely due to the skilful combination of the unique design with the expressive possibilities of the maple material used. The material fascinates with its typical sound characteristics. The special characteristics can be summarised as follows: Maple: Warm and clear, slightly thinner than pear wood. The scale The inner bore of the instrument is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower scale. Which musical styles are best suited to the recorder Maple is particularly suitable for instruments that are used in the. Who is the instrument aimed at? As a result, maple recorders are particularly suitable for beginners. A rule of thumb is that a better instrument usually makes making music less complicated than a bad one. The windway of a recorder The windway is the area in the instrument headjoint where the musician's blowing air is moulded into a sheet of air. This air blade is one of the most important elements of the instrument's sound. In interaction with the labium, this air blade creates the vibration that generates the flute sound. The shape of the windway is therefore extremely relevant for the recorder's ability to create music. The windway of the Küng 1302-KUE recorder is shaped as follows: straight, conical.Conical windways accelerate the breath more than cylindrical ones. Windways are extremely complex in their geometric shape and many parameters interact. Fingering The Küng 1302-KUE recorder is made in the following fingering: Baroque double hole. Construction method The number of individual parts of a musical instrument has an extraordinary influence on the way in which the recorder can be handled in terms of ease of assembly on the one hand and safe transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes multiple) instruments. Leaders of large playing groups will agree with us. Packaging and accessories The recorder comes with a bag and the appropriate accessories as standard: Wiper stick, fingering chart, care instructions Hygiene tips If the instrument is borrowed frequently, we recommend that you repeatedly disinfect the headjoint to prevent the transmission of diseases. Flautisept has proven to be a good cleaning agent. You can find Flautisept in our collection. It works with the following surfaces: Lacquered surfacesLacquered surfacesLinseed oil surfacesWaxed surfacesSpirit stained surfacesRESONAABS plasticsUntreated wood surfaces However, before use, test on an inconspicuous area to ensure that Fautisept does not cause any discolouration on your recorder. Optional information on keys It is not always possible to place tone holes in places in the body that are easy and comfortable to reach with your fingers. For acoustic reasons, some tone holes on low instruments in particular are not ergonomically accessible. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The 1302-KUE instrument has the following keys: . This means that it can also be played ergonomically by players with smaller hands. Recommendations for finding a new recorder How to easily find a future instrument Inform yourself in detail! However, you should not let "generalised" rules stop you from playing an instrument yourself. Your musical sensibilities are as unique as you are. Therefore, only you can decide which construction method suits you personally. Our recommendation is therefore: play different brands that you may not have tried before. You can only win.

The recorder with the model number: 1301-KUE built by Küng is a recorder that is always fun to play. The instrument owes this to the skilful combination of its unique design and the advantages of the pear wood material used. This material gives the instrument a strikingly pleasant feel thanks to its special advantages. The characteristics can best be described in the following words: Pear wood: Soft, choral sound. Suitable for playing in a group. The scale The geometry of the inner bore of the instrument is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower scale. Which musical styles can the instrument be used for Pearwood is predestined for recorders that are used in. Who is this recorder aimed at? The above facts show that pearwood instruments are particularly suitable for beginners. Another rule of thumb to bear in mind is that a high-quality instrument naturally makes it easier to play together than what appears at first glance to be an inexpensive instrument. The windway of a recorder The windway is the area in the instrument headjoint where the musician's breath is moulded into a thin sheet of air. This sheet of air is one of the most important elements of the instrument's sound. At the labium, the vibration that generates the flute sound is created from this sheet of air. The shape of the windway is therefore one of the defining characteristics for the range of musical expressiveness of the recorder. The windway of the Küng 1301-KUE instrument is constructed as follows: Straight, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are complex in their design and many parameters are influenced by each other. Fingering The Küng 1301-KUE instrument is offered in the following fingering: Baroque double hole. Construction of the body The construction of a musical instrument strongly influences the way in which the recorder can be handled easily in terms of ease of grip on the one hand and convenient transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Recorder ensemble leaders will agree with us. Packaging and accessories The model is supplied as standard with a bag and useful accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the recorder is shared, it is advisable to sterilise the windway at regular intervals to ensure hygienic safety. Flautisept has proven to be an effective agent in such cases. Flautisept is available in our collection. It works with the following surfaces: Untreated wooden surfaces, waxed surfaces, varnished surfaces, ABS plastics, RESONA, linseed oil surfaces, varnished surfaces, spirit-stained surfaces However, to be on the safe side, test the product on an inconspicuous area before use to ensure that it does not leave any unwanted marks on your instrument. Optional information on keys It is not always possible to drill tone holes in places in the instrument body that are easy and comfortable to reach with your fingers. Especially on larger instruments, some tone holes are ergonomically inaccessible for acoustic reasons. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The 1301-KUE instrument has the following keys: . This means that it can also be played with above-average ease by players with smaller hands. Recommendations for finding a new instrument What is the easiest way to find your next instrument? Seek expert advice! But don't let "generally applicable" rules such as "material xy doesn't work at all in an ensemble / for professionals" stop you from trying out an instrument yourself. Your musical sensibilities are as unique as you are. Therefore, only you can decide which construction method makes you personally happy. Our recommendation is therefore: Test unknown construction concepts that you may never have tried before. You can only gain experience.

The instrument with the article number: 1311-KUE made by Küng is an instrument that is always fun to play. This special feature is due to the clever combination of the pioneering design with the qualities of the pear wood material used. The extraordinary qualities of this instrument's material are strikingly impressive. The characteristics can be described as follows, whereby it is in the nature of things that sounds can only ever be described very inadequately with words. For this reason, the typical sound of recorders is perceived and described by each person in slightly different ways: Pear: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the instrument is slightly cylindroconical. This type of bore gives the instrument its typical sound. In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale. What styles of music can the instrument be used for Pearwood is particularly suitable for recorders that are used in. Who is the instrument aimed at? The above facts show that pearwood recorders are particularly suitable for beginners. An important rule is that a high-quality instrument naturally makes learning easier than a poor-quality one. The windway of the recorder The windway is the area in the headjoint of the recorder where the blowing air is moulded into a thin sheet of air. This sheet of air is the basis of a recorder's sound production. At the labium, the air blade produces the vibration that generates the flute sound. The shape of the windway is therefore one of the defining principles for the artistic usability of the recorder. The windway of the Küng model 1311-KUE is constructed as follows: Straight, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are of course extremely complex in their geometric design and many parameters are influenced by each other. Fingering The Küng 1311-KUE recorder is made in the fingering: Baroque double hole. Construction method The construction of a recorder has a fundamental influence on the way in which the woodwind instrument is handled in terms of ease of assembly on the one hand and ease of transport on the other. A point that becomes particularly important when larger instruments or several instruments have to be taken along. Just ask veteran ensemble leaders. Packaging and accessories The instrument is supplied as standard with a bag and the following accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the instrument is shared, we recommend that you clean the beak area sterilely at regular intervals to ensure hygienic safety. Flautisept has proven to be a reliable aid in these cases. You will find Flautisept in our collection. It works with the following surfaces: Waxed surfaces, untreated wooden surfaces, spirit-stained surfaces, varnished surfaces, ABS plastics, linseed oil surfaces, varnished surfaces, RESONA However, before use, test on an inconspicuous area to ensure that Fautisept does not leave any unwanted marks on your instrument. Optional information on keys It is not always possible to place tone holes in places that are comfortable and easy to play with your fingers. Especially with bass recorders, tone holes are not ergonomically accessible for acoustic reasons. Keys are fitted to these instruments to make playing much easier or even possible in the first place. The 1311-KUE instrument has the following keys: . This makes it easier than average for players with smaller hands to play. Advice for finding a new recorder The easiest way to find your new instrument Inform yourself in detail! Under no circumstances should you let "generalised" rules stop you from playing a recorder yourself. Your musical perception is as unique as you are. Therefore, only you can decide which instrument makes you happy. Our recommendation is therefore: Try new brands that you may not have tested before. You can only gain new experiences.

The instrument with the article number: 1316-KUE from Küng is a companion that is always a joy to play. The instrument owes this characteristic mainly to the special combination of the ingenious construction concept in combination with the tone colours of the pear wood material used. The unique sound characteristics of this instrument are strikingly fascinating. The characteristics can be roughly described as follows, although it is in the nature of things that sounds can only ever be inadequately described in words. This is why the sound of recorders is perceived and described differently by each person: Pear: Soft, choral sound. Suitable for playing in a group. The scale The geometry of the inner bore of the recorder is slightly cylindroconical. This type of bore gives the instrument its typical sound. In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale. What music is the recorder best suited to? Pearwood is ideal for recorders that are used in. Who is this instrument aimed at? This means that pearwood instruments are particularly suitable for beginners. A second rule to bear in mind is that a better instrument will in most cases make learning progress more enjoyable than a cheaper one. The windway of the recorder The windway is the area in the headjoint of the recorder where the blowing air is moulded into a thin sheet of air. This sheet of air is the central starting point of the instrument's sound. The vibration that generates the flute sound is created from this air blade at the labium. The shape of the windway is therefore one of the defining characteristics for the musical formability of the achievable sounds of the recorder. The windway of the Küng 1316-KUE recorder is shaped as follows: straight, conical.Conical windways accelerate the air blade more than cylindrically shaped ones. Windways are naturally very complex in their geometric shape and many parameters influence each other. Fingering The Küng 1316-KUE model is supplied in fingering: Baroque double hole. Construction method The way a musical instrument is constructed has a strong influence on the way in which the recorder is handled on a daily basis in terms of ease of grip on the one hand and ease of transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Experienced ensemble players can tell you a thing or two about this. Packaging and accessories The model is supplied as standard with a bag and the following accessories: Wiper rod, fingering chart, care instructions Hygiene tips If the recorder is rented out frequently, it is advisable to disinfect the beak area if necessary to ensure hygienic safety. In these cases, the care product Flautisept has proven to be effective. Flautisept is available in our collection. It works with the following surfaces: RESONA, spirit-stained surfaces, waxed surfaces, linseed oil surfaces, varnished surfaces, ABS plastics, untreated wooden surfaces, varnished surfaces However, it is essential that you test the product on an inconspicuous area before use to ensure that it does not leave any discolouration on your recorder. Optional information on keys It is not always possible to drill tone holes in places in the body of the instrument that are comfortable to play with your fingers. Especially on larger instruments, tone holes are not ergonomically accessible for acoustic reasons. On these instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place. The 1316-KUE instrument has the following keys: . This means that it can also be played ergonomically by players with smaller hands. Advice on finding a new instrument The easiest way to find your new instrument Find out all you can! However, you shouldn't let the opinions of "self-proclaimed experts" put you off trying out a recorder for yourself. Your taste is as unique as you are. Therefore, only you can decide which construction method suits you best. Our recommendation is therefore: test different construction concepts that you have not yet tried. You can only gain experience.

The instrument with the model number: 2304-KUE from the Küng workshop is a recorder that provides lasting enjoyment when playing. This characteristic is due to the clever combination of the special construction concept in fine tuning with the expressive possibilities of the material used, plum wood (Prunus). This material impresses with its extraordinary advantages. The special characteristics can be summarised as follows: Prunus, plum, damson: overtone-rich, slightly nasal sound. Goes very well with singing voices. The scale The geometry of the inner bore of the instrument is slightly cylindroconical. This type of bore gives the instrument its typical sound. In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower inner bore. What music can the instrument be used for Plum wood (Prunus) is ideal for instruments that are used primarily for choral playing, recorder ensembles and orchestras, although other styles are possible. Who the instrument is aimed at As a result, instruments made from plum wood (Prunus) are particularly suitable for ambitious amateurs and advanced players. It is worth noting that a better instrument generally makes learning more enjoyable than a simple one. The windway of the recorder The windway is the area in the head of the instrument where the air is moulded into a sheet of air. This air blade is the basis of a recorder's sound production. In interaction with the labium, the air blade creates the vibration that generates the flute sound. The shape of the windway is therefore one of the defining characteristics for the instrument's range of artistic applications. The windway of the 2304-KUE instrument from Küng is constructed as follows: Curved, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are extremely complex in their design and many parameters interact. Fingering The Küng 2304-KUE recorder is made in the following fingering: Baroque double hole. Construction method The number of components of a recorder influences the way in which it can be easily handled in terms of ease of grip on the one hand and convenient transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes multiple) instruments. Leaders of large playing groups will agree with us. Packaging and accessories The model is supplied as standard with a case and the following accessories: Wiper rod, cork grease, fingering chart, care instructions Hygiene tips If the recorder is played by several people, it is advisable to repeatedly disinfect the windway to keep it clean. Flautisept has proved its worth in such cases. Flautisept is available in our collection. It works with the following surfaces: Waxed surfacesLacquered surfacesSpirit-stained surfacesUntreated wood surfacesRESONAABS plasticsLacquered surfacesLinseed oil surfaces To be on the safe side, test Fautisept on an inconspicuous area before use to ensure that it does not leave any unwanted traces on your instrument. Optional information on keys It is not always possible to place the tone holes in places in the instrument body that are easy to play with your fingers. For acoustic reasons, some tone holes on larger recorders in particular are not ergonomically accessible. On such instruments, keys are fitted by the instrument maker to make playing considerably easier or even possible in the first place. The 2304-KUE instrument has the following keys: . This makes it comfortable to play even for players with smaller hands. Advice for finding a new recorder How to find your new instrument safely Find out all you can! But don't let "well-intentioned" advice put you off playing a recorder yourself. Your musical sensitivity is as unique as you are. Therefore, only you can decide which instrument concept makes you happy. Our recommendation is therefore: play different materials that you have not yet tried out. You have nothing to lose, but everything to gain.

The recorder with the article number: 2314-KUE built by Küng is a companion that makes playing music tirelessly fun.This special feature is largely due to the skilful combination of the unique model in interaction with the tone colours of the boxwood material used. The material used for this instrument is strikingly pleasing due to its typical sound characteristics. The properties can be characterised as follows: Boxwood: powerful, high-pitched sound. The scale The inner bore of the recorder is slightly cylindroconical. This type of bore gives the instrument its typical sound.In principle, recorders with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than instruments with a narrower scale. For which musical styles can the instrument be best utilised? Boxwood is predestined for instruments focussing on choral playing, recorder ensembles and orchestras, other styles are possible. Who the instrument is aimed at The above facts show that boxwood instruments are particularly suitable for ambitious amateurs and advanced players. Another rule of thumb worth noting is that a high-quality instrument generally makes music-making less complicated than a supposedly cheap one. The windway of the recorder The windway is the area in the headjoint of the recorder where the air is moulded into a sheet of air. This sheet of air is one of the most important elements of the instrument's sound and, together with the labium, the air sheet creates the vibration that generates the flute's sound. The shape of the windway is therefore very relevant to the sound and response of the recorder. The windway of the Küng 2314-KUE recorder is shaped as follows: curved, conical.Conically shaped windways accelerate the breath more than cylindrical ones. Windways are extremely complex in their design and many parameters are influenced by each other.

The instrument with the model designation: 2306-KUE built by Küng is a musical tool that is always fun to play. This is due to the clever combination of the outstanding model design in symbiosis with the tone colours of the rosewood material used. The special qualities of the material used for this instrument are impressive. The special features can be characterised as follows, whereby it is in the nature of things that sounds can only ever be inadequately described in words. For this reason, the typical sound of recorders is perceived and described in slightly different ways by each person: Rosewood: Very noble, pithy sound. The scale The geometry of the inner bore of the recorder is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower scale. Which musical styles can the recorder be used for? Rosewood is particularly suitable for recorders that focus on choral playing, recorder ensembles and orchestras, other styles are possible. Who the instrument is aimed at It follows from the above that rosewood recorders are particularly suitable for ambitious amateurs and advanced players. Another rule to bear in mind is that a high-quality instrument generally makes learning progress easier than a poor-quality one. The windway of a recorder The windway is the area in the head of the instrument where the blowing air is moulded into a sheet of air. This air blade is the basis of a recorder's sound production. In interaction with the labium, the air blade produces the vibration that generates the flute sound. The shape of the windway is therefore extremely important for the artistic usability of the recorder. The windway of the Küng model 2306-KUE is constructed as follows: Curved, conical.Conically shaped windways accelerate the air blade more than cylindrical ones. Windways are very complex in their geometric shape and many parameters are influenced by each other. Fingering The Küng 2306-KUE recorder is made in the following fingering: Baroque double hole. Construction method The construction of a recorder in terms of its multiple parts influences in many ways the way in which the woodwind instrument can be handled easily and transported safely during daily use. This is particularly important when larger instruments or several instruments are taken along. Leaders of large playing groups will agree with us. Packaging and accessories The model is supplied as standard with a case and the following accessories: Wiper rod, cork grease, fingering chart, care instructions Hygiene tips If the recorder is lent out again and again, you should consider sterilising the beak area again and again to prevent the transmission of diseases. Flautisept has proven to be a good solution for this. You can find Flautisept in our collection. It works with the following surfaces: Spirit-stained surfacesRESONALinseed oil surfacesWaxed surfacesLacquered surfacesABS plasticsGlazed surfacesUntreated wood surfaces However, it is essential that you test the product on an inconspicuous area before use to ensure that it does not leave any discolouration on your instrument. Optional information on keys It is not always possible to drill tone holes in places on the instrument that are easy and comfortable to reach with your fingers. For acoustic reasons, some tone holes on deep recorders in particular are not ergonomically accessible. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The 2306-KUE instrument has the following keys: . This makes it remarkably easy to play, even for players with smaller hands. Tips for finding a new recorder How to find a new instrument easily Find out all you can! However, don't let "well-intentioned" advice put you off testing an instrument yourself. Your musical sensibilities are as unique as you are. Therefore, only you can decide which recorder inspires you. Our recommendation is therefore: try out different brands that you have not yet tested. You can only gain experience.

The instrument with the model number 2309-KUE from the Küng workshop is a musical tool that provides lasting fun in the classroom and on stage. This special feature is largely due to the masterful marriage of the carefully considered design in combination with the tone colours of the olive wood material used. The special sound characteristics of this instrument are strikingly pleasing. The special features can be summarised as follows: Olive wood: Noble and full-bodied sound. The scale The inner bore of the instrument is slightly cylindroconical. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower inner bore. For which music can the instrument best be used Olive wood is predestined for instruments that are used primarily for choral playing, recorder ensembles and orchestras, although other styles are possible. Who this instrument is aimed at It follows that olive wood recorders are particularly suitable for ambitious amateurs and advanced players. A second rule of thumb worth noting is that a better quality instrument will naturally make playing together more enriching than a seemingly inexpensive bargain. The windway of a recorder The windway is the area in the headjoint of the recorder where the musician's blowing air is moulded into a thin sheet of air. This air blade is the defining element of a recorder's sound. At the labium, the air blade thus creates the vibration that generates the flute sound. The shape of the windway is therefore extraordinarily influential for the musical formability of the instrument's achievable sounds. The windway of the Küng model 2309-KUE is shaped as follows: curved, conical.Conical windways accelerate the air blade more than cylindrically shaped ones. Windways are extremely complex in their design and many parameters are influenced by each other. Fingering The Küng 2309-KUE instrument is made in the following fingering: Baroque double hole. Construction of the body The construction of a recorder strongly influences the way in which it is handled in terms of ease of grip and safe transport during daily use. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Experienced ensemble players can tell you a thing or two about this. Packaging and accessories The instrument is supplied as standard with a case and the appropriate accessories: Wiper rod, cork grease, fingering chart, care instructions Hygiene tips If the instrument is played by several people, it is advisable to clean the windway sterilely if necessary for your own protection. In these cases, Flautisept has proven to be a good cleaning agent. Flautisept is available in our collection. It works with the following surfaces: Linseed oil surfaces, spirit-stained surfaces, varnished surfaces, RESONA, untreated wooden surfaces, ABS plastics, waxed surfaces, varnished surfaces However, to be on the safe side, test Fautisept on an inconspicuous area before use to ensure that it does not leave any adverse changes on your recorder. Optional information on keys It is not always possible to drill tone holes in places in the instrument body that are comfortable to play with your fingers. For acoustic reasons, some tone holes on bass recorders in particular are not ergonomically accessible. On these instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place. The 2309-KUE instrument has the following keys: . This means that players with smaller hands can also play it with above-average ease. Tips for finding a new recorder How to find a future instrument easily Ask people you know! However, you shouldn't let well-meaning advice put you off trying out a recorder for yourself. Your musical sensibilities are as unique as you are. Therefore, only you can decide for yourself which recorder tempts you to "make music endlessly". Our recommendation is therefore: test different instruments that you have never tried before. You can only win.