The recorder with the article number: 2601-KUE from Küng is a musical tool that provides lasting enjoyment both in the classroom and on stage. This characteristic is largely due to the clever marriage of the ingenious model design in combination with the sound characteristics of the pear wood material used. This material fascinates with its extraordinary advantages. The characteristics can best be described in the following words: Pear wood: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the instrument is slightly cylindroconical and narrower on average. This type of bore gives the model its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower scale. For which musical styles is the recorder best suited? Pearwood is particularly suitable for instruments that are used in ensembles, in choral playing and as a solo instrument. Who is the instrument aimed at? It follows from the above that pearwood instruments are particularly suitable for ambitious amateurs and advanced players. One rule worth noting is that a higher-quality instrument generally enriches the ensemble playing more than a supposedly cheaper one. The windway of the recorder The windway is the area in the head of the instrument where the musician's breath is moulded into a thin sheet of air. This sheet of air is the basis of a recorder's sound. At the labium, the air blade generates the vibration that is fundamental to the flute sound. The shape of the windway is therefore extremely relevant for the musical expressiveness of the recorder. The windway of the Küng 2601-KUE recorder is shaped as follows: curved, conical.Conically shaped windways accelerate the breath more than cylindrical ones. Windways are of course extremely complex in their geometric design and many parameters are influenced by each other. Fingering The Küng 2601-KUE recorder is offered in the following fingering: Baroque double hole. Multi-part construction The construction of a recorder has a strong influence on the way in which the woodwind instrument can be handled in terms of ease of assembly and compact transport. This is particularly important when transporting larger or multiple instruments. Recorder orchestra leaders will agree with us. Packaging and accessories The instrument is supplied as standard with a case and the following accessories: Cork grease, strap, fingering chart, wiper rod, spike, care instructions Hygiene tips If the recorder is borrowed frequently, it is advisable to disinfect the beak area regularly to prevent the transmission of diseases. The care product Flautisept has proven to be a reliable aid here. You can find Flautisept in our collection. It works with the following surfaces: Linseed oil surfaces, untreated wooden surfaces, RESONA, waxed surfaces, lacquered surfaces, varnished surfaces, spirit-stained surfaces, ABS plastics However, before using the product, test it on an inconspicuous area to ensure that it does not leave any discolouration on your recorder. Optional information on keys It is not always possible to place the tone holes in the body of the instrument where they can be played comfortably with the fingers. Particularly on bass instruments, tone holes are not ergonomically accessible for acoustic reasons. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The 2601-KUE instrument has the following keys: Centre joint keys + foot key. This makes it easy to play even for players with smaller hands. Tips for finding a new recorder How to find a future instrument with confidence Ask people you know! But don't let prevailing opinions put you off playing a recorder yourself. Your musical sensitivity is as unique as you are. Therefore, only you can decide which instrument makes you happy. Our recommendation is therefore: Try new instruments that you have never tested before. You can only gain experience.

The recorder with the article number: 2611-KUE built by Küng is a musical tool that can always create new joy in playing. This is due to the special combination of the pioneering model design in symbiosis with the sound characteristics of the pear wood used. This material gives the instrument a strikingly pleasing sound with its special advantages. The characteristics can be summarised as follows: Pear wood: Soft, choral sound. Suitable for playing in a group. The scale The inner bore of the instrument is slightly cylindroconical and narrower on average. This type of bore gives the model its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than recorders with a narrower scale. For which musical styles is the recorder best suited? Pearwood is particularly suitable for instruments that are used in ensembles, in choral playing and as a solo instrument. Who is the instrument aimed at? This means that pearwood recorders are particularly suitable for ambitious amateurs and advanced players. A second noteworthy rule is that a higher-quality instrument is usually easier to play than a supposedly cheaper one. The windway of a recorder The windway is the area in the head of the recorder where the blowing air is moulded into a sheet of air. This air blade is the basis of a recorder's sound production. In interaction with the labium, this sheet of air creates the fundamental vibration that generates the flute sound. The shape of the windway is therefore one of the defining characteristics for the range of musical expressiveness of the recorder. The windway of the Küng model 2611-KUE is shaped as follows: curved, conical.Conical windways accelerate the breath more than cylindrically shaped ones. Windways are naturally complex in their geometric design and many parameters come into play. Fingering The Küng 2611-KUE recorder is supplied in fingering: Baroque double hole. Construction method The construction of a recorder in terms of multiple parts has an extraordinary influence on the way in which the woodwind instrument can be handled easily in terms of ease of grip and safe transport during daily use. A point that becomes particularly important when larger or multiple instruments are taken along. Just ask veteran ensemble leaders. Packaging and accessories The instrument is supplied as standard with a case and useful accessories: Cork grease, strap, fingering chart, wiper rod, spike, care instructions Hygiene tips If the instrument is borrowed frequently, it is advisable to clean the beak area regularly to maintain cleanliness. Flautisept has proven to be a practical aid for this. Flautisept is available in our collection. It works with the following surfaces: Spirit-stained surfacesWaxed surfacesABS plasticsUntreated wood surfacesLinseed oil surfacesGlazed surfacesLacquered surfacesRESONA However, before using Fautisept, be sure to test it on an inconspicuous area to ensure that it does not leave any unwanted marks on your recorder. Optional information on keys It is not always possible to place tone holes in places in the instrument body that are easy to reach with your fingers. For acoustic reasons, some tone holes on larger recorders in particular are not ergonomically accessible. On these instruments, keys are fitted by the instrument maker to make playing much easier or even possible in the first place. The instrument 2611-KUE has the following keys: Centre joint keys + foot key. This makes it easy to play even for players with smaller hands. Recommendations on the way to a new recorder How to find your future instrument easily Seek expert advice! However, don't let "expert" opinions put you off trying out a recorder for yourself. Your musical sensitivity is as unique as you are. Therefore, only you can decide which construction method inspires you. Our recommendation is therefore: try out different manufacturers that you may not have tried before. You can only win.

The recorder with the model number: 2603-KUE built by Küng is a recorder that is always fun to play. This special feature is due to the clever marriage of the special model design in combination with the advantages of the cherry wood material used. The unique sound characteristics of this instrument make it an inspiring material. The characteristics can be roughly summarised as follows, although it is in the nature of things that sounds can only ever be inadequately described in words. For this reason, the details of the typical material sound of recorders are perceived and described differently by each person: Cherry: Light and elegant sound. The scale The inner bore of the recorder is slightly cylindroconical and narrower on average. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower inner bore. What music can the instrument be used for Cherry wood is ideal for instruments that are used in ensembles, in choral playing and as a solo instrument. Who is the instrument aimed at? It follows that cherry wood instruments are particularly suitable for ambitious amateurs and advanced players. Another basic rule to bear in mind is that a better instrument will in most cases make playing more enjoyable than a seemingly inexpensive bargain. The windway of the recorder The windway is the area in the instrument headjoint where the musician's breath is moulded into a sheet of air. This air blade is the central starting point for the sound production of a recorder. In interaction with the labium, this air blade creates the vibration that generates the flute sound. The shape of the windway is therefore extraordinarily influential for the variation possibilities of the available sound spectra of the instrument. The windway of the Küng model 2603-KUE is shaped as follows: curved, conical.Conically shaped windways accelerate the air blade more than cylindrical ones. Windways are extremely complex in their geometric design and many parameters interact. Fingering The Küng 2603-KUE instrument is supplied in the following fingering: Baroque double hole. Multiple parts The number of parts of a woodwind instrument has a strong influence on the way in which the recorder can be handled in terms of ease of assembly on the one hand and ease of transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Recorder orchestra leaders will agree with us. Packaging and accessories The recorder is supplied as standard with a case and the appropriate accessories: Cork grease, strap, fingering chart, wiper stick, spike, care instructions Hygiene tips If the recorder is shared, it is advisable to clean the headjoint sterilely at regular intervals to ensure hygienic safety. Flautisept has proven its worth in these cases. You can find Flautisept in our collection. It works with the following surfaces: Spirit-stained surfaces, waxed surfaces, ABS plastics, linseed oil surfaces, varnished surfaces, untreated wooden surfaces, RESONA, varnished surfaces However, before use, test on an inconspicuous area to ensure that Fautisept does not cause any adverse changes to your instrument. Optional information on keys It is not always possible to place the tone holes in places in the body that are easy and comfortable to play with your fingers. For acoustic reasons, some tone holes are not ergonomically accessible, especially on larger instruments. On these instruments, keys are fitted by the instrument maker to make playing easier or even possible in the first place. The 2603-KUE instrument has the following keys: Centre joint keys + foot key. This means that it can also be played by players with smaller hands. Tips for finding a new recorder The easiest way to find your future instrument Find out all you can! However, you should never let well-intentioned advice put you off playing an instrument yourself. Your musical sensitivity is as unique as you are. Therefore, only you can decide which wind tunnel mould suits you best. Our recommendation is therefore: try out different instruments that you may never have tested before. You can only win.

The instrument with the model number: 2611-KUE-J from the Küng workshop is a recorder that is a joy to play. This is largely due to the special composition of the carefully considered design in symbiosis with the expressive possibilities of the pear wood used. The material used for this instrument is characterised by its unique sound characteristics. The characteristics can be roughly summarised as follows, although it is in the nature of things that sounds can only ever be described very inadequately in words. This is why the sound of recorders is perceived and described slightly differently by each person: Pear: Soft, choral sound. Suitable for playing in a group. The scale The geometry of the inner bore of the instrument is slightly cylindroconical and narrower on average. This type of bore gives the recorder its typical sound. In principle, instruments with a wider bore sound warmer, fuller, more fundamental and therefore more suitable for ensembles than models with a narrower inner bore. What music is the recorder best suited to? Pearwood is particularly suitable for instruments that are used in ensembles, in choral playing and as a solo instrument. Who is the instrument aimed at? This means that pearwood recorders are particularly suitable for ambitious amateurs and advanced players. Another rule is that a better quality instrument generally makes learning progress more enjoyable than a poor quality one. The windway of a recorder The windway is the area in the head of the instrument where the air is moulded into a sheet of air. This sheet of air is the nucleus of the instrument's sound. At the labium, the vibration that fundamentally generates the flute sound is created from this sheet of air. The shape of the windway is therefore extremely important for the response and sound of the recorder. The windway of the Küng 2611-KUE-J recorder is constructed as follows: Curved, conical.Conical windways accelerate the breathing air more than cylindrically shaped ones. Windways are of course extremely complex in their geometric shape and many parameters influence each other. Fingering The Küng 2611-KUE-J instrument is made in the following fingering: Baroque double hole. Construction method The number of individual parts of a recorder has an extraordinary influence on the way in which the woodwind instrument is handled in terms of ease of assembly on the one hand and ease of transport on the other. This is a point that should not be underestimated, especially when transporting larger (and sometimes several) instruments. Experienced ensemble players can tell you a thing or two about this. Packaging and accessories The instrument is supplied as standard with a case and useful accessories: Cork grease, strap, fingering chart, wiper rod, spike, care instructions Hygiene tips If the recorder is shared, it is advisable to clean the windway sterilely if necessary to prevent the transmission of diseases. Flautisept has proven to be a reliable aid here. You can find Flautisept in our collection. It works with the following surfaces: Untreated wooden surfaces, linseed oil surfaces, varnished surfaces, ABS plastics, spirit-stained surfaces, varnished surfaces, waxed surfaces, RESONA However, before use, test on an inconspicuous area to ensure that Fautisept does not cause any adverse changes to your instrument. Optional information on keys It is not always possible to drill tone holes in places in the body that are easy and comfortable to reach with your fingers. Especially on larger recorders, tone holes are not ergonomically accessible for acoustic reasons. Keys are fitted to such instruments to make playing much easier or even possible in the first place. The instrument 2611-KUE-J has the following keys: Centre joint keys + foot key. This means that it can also be played comfortably by players with smaller hands. Advice on finding a new instrument How to easily find your next instrument Ask people you know! But don't let "well-meaning" advice put you off testing an instrument yourself. Your musical sensibilities are as unique as you are. Therefore, only you can decide which recorder appeals to you. Our recommendation is therefore: Try new instruments that you may never have tested before. You can only gain new experiences.